PPL’s annual payouts grew by 7.1% to £244.9m in 2022

2022 was a good year for UK CMO PPL, which says its payouts to performers and recording rightsholders grew by 7.1% to £244.9m last year. The post PPL’s annual payouts grew by 7.1% to £244.9m in 2022 appeared first on Music Ally. Source: Music ally

PPL gets behind The Ivors Academy’s ‘Credits Due’ campaign

UK collecting society PPL has got behind the campaign, as part of its wider work around metadata that includes being a board member of standards body DDEX The post PPL gets behind The Ivors Academy’s ‘Credits Due’ campaign appeared first on Music Ally. Source: Music ally

Major labels gave evidence to the UK’s music streaming economics inquiry… so what did we learn?

It’s actually pretty rare to get genuine smoking-gun ‘gotchas’ from political inquiries in the moment. When they work well, it’s more about patient, forensic questioning that elicits genuinely enlightening answers – and sometimes quotes that later come back to haunt the speaker. Did we get that from this morning’s sessions at the UK parliamentary inquiry into […]

BAPAM bursary scheme aims to support BAME musicians in UK

BAPAM is the British organisation that provides ‘performing arts medicine’ in the UK, supporting musicians and other performers in their physical and mental health. Its latest initiative focuses on the latter for a specific group: Black, Asian and minority ethic (BAME) musicians. It’s a bursary scheme jointly funded by charity Help Musicians and collecting society […]

PPL’s 2019 ‘most played’ chart hogged by collaboration tracks

British collecting society PPL has announced its annual charts of the most played tracks and artists in the UK, based on data from radio, TV and public performance locations (pubs, bars, shops etc). No surprises for guessing who tops the artists chart: Ed Sheeran, the fourth time in five years he’s headed that list. There’s […]

Music licensing: the basics that tech startups need to know

If a music-tech startup’s product or service involves making the actual music available, that company will need licences for the music. Understanding how licensing works is one of the first and most important things that these startups need to understand. At its simplest level, that also means understanding whether you need to be talking to […]

Today’s positive coronavirus-related industry stories (28 April)

TikTok is launching a new feature, ‘Donation Stickers’, that will enable creators on the app to encourage their followers to donate to charities. This isn’t only about music, but music industry charities MusiCares and Help Musicians are two of the first to be supported through the feature. The stickers can be added to videos, and […]

Today’s positive coronavirus-related industry news (16 April)

There’s more news from the MusiCares Covid-19 Relief Fund in the US, which has now secured contributions from collecting societies ASCAP, BMI and SESAC. The fund is now past the $10m mark on the back of support from all quarters of the music industry. Meanwhile, in the UK another collecting society, PPL, is donating £700k to […]

PPL teams up with Sound Credit to improve recording metadata

Across the world, there are lots of different initiatives afoot to tackle the music industry’s metadata problems – including accurately filling out the credits for songs and recordings. The latest example comes from the UK, where collecting society PPL has announced a new partnership with startup Sound Credit. The latter company’s product is a plug-in and […]

UK society PPL saw its collections grow by 13% in 2018

British collecting society PPL has announced its figures for 2018, revealing that its collections grew by 13% to £246.8m on behalf of performers and rightsholders. That included 5% growth (to £83.6m) for its ‘broadcasting and online’ category, although the biggest spike came with a 43% rise in international collections to £70.9m. PPL also paid out […]

PPL’s international collections grew by 43% in 2018

British collecting-society PPL has reported some figures for 2018: its international collections, for public and TV/radio performances (plus private copying) of its members’ tracks. The organisation collected £70.9m ($93.3m) in 2018, up 43% year-on-year, and a new record for PPL, which now has 92 international collection agreements in place. Those include deals signed in 2018 […]

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