Dispelling the utopian dream: the complex reality of music royalties (Guest column)

This is a guest column from Virginie Berger (below), a music and tech industry executive with over 20 years experience in rights management and digital transformation, and currently an international […] The post Dispelling the utopian dream: the complex reality of music royalties (Guest column) appeared first on Music Ally. Source: Music ally

Reclaiming Fame: as an artist, who’s your customer? (guest post)

This is a guest post from Piers Henwood, a GRAMMY and JUNO-nominated artist manager and musician. Here, he writes about the implications of the pressure placed on artists to succeed in a needy industry and an always-on culture – and he also picks apart our own expectations, as fans. The post Reclaiming Fame: as an […]

The localisation of Western pop music in China (guest column)

This is a guest post by XinYue, Editor of Kanjian Music, the Chinese music services company which is Music Ally’s partner for our Music Ally China arm. We asked XinYue to explore some of the music industry trends inside China that may not yet be as well known elsewhere: here is a look at how […]

Debating the upsides of Universal Music Group’s recent AI attack (guest post)

This is a guest post by Markus Schwarzer, CEO of AI-powered music analysis and recommendation platform Cyanite. He addresses the concern that major labels and other large music companies have shown recently  about the use of Artificial Intelligence in music and business – and the importance of stepping back and thinking carefully about as-yet unknown […]

Sink or swim: the urgent need for advanced tools to navigate the inundation of music content (guest column)

This guest post is written by Martin Nedved, co-founder of AIMS, a platform of AI-based products designed to search and tag catalogues of music, and which is a supporter of next week’s NEXT summit in London. In this article, he explores the “urgent need for advanced tools to help the music industry survive and thrive”, and looks at […]

In China, traditional opera and pop music is combining to find a new audience (guest column)

This is a guest post by XinYue, Editor of Kanjian Music, the Chinese music services company which is Music Ally’s partner for our Music Ally China arm. We asked XinYue to explore some of the music industry trends inside China that may not yet be as well known elsewhere. She kicks off this series with […]

The first step to artist-centric streaming? Start listening to artists… (Guest column)

This is a guest column by David Martin, CEO of the Featured Artists Coalition – the UK trade body that represents the rights and interests of music artists. In this post, he addresses the recent major label drive to create “artist-centric” systems of payment from the perspective of an artist-focused organisation; and explores what an increasingly independent […]

We deserve better: no artist should be in the dark about their financial status (guest column)

This is a guest post by Tracey Melnick, VP, Royalty Services at music distributor and payments firm Stem. She believes that finance teams like hers can “be the engine” that can power a fairer, more sustainable and more profitable music business – if the industry can unite around a modern finance framework. Four years ago, I was the […]

The Long Tail’s Sting: The political battle over content moderation and music’s dilemma (Guest column)

The below guest post is by Tristra Newyear Yeager, Chief Strategy Officer of music/tech PR firm Rock Paper Scissors. In it, she joins the dots between some potentially meaningful and high-profile legal cases taking place in the US, and the consequences they may have on music streaming platforms globally. Newyear Yeager also describes what she thinks the less obvious effects […]

Improving representation in music – and what Youth Music is doing to create change (Guest column)

This is a guest post from Matt Griffiths, CEO of UK charity Youth Music. He discusses diversity and representation in the UK music industry, explores the challenges that still exist, and explains how Youth Music is tackling the issue.  Representation within the industry is a systemic issue. With the BRIT Awards taking place this weekend, conversations about the […]

Marrying art and science: the challenges and opportunities of curation for the music industry today (Guest column)

In light of NY:LON CONNECT 2023, we asked Alex Kisch, EVP, Business Development & Affairs, General Counsel at Vevo – sponsor of the event’s “Changing nature of music formats” track – to share with us  some insight on the exciting opportunities he sees ahead in 2023. In today’s competitive attention economy, Kisch says, we cannot afford to lose the […]

Streaming services need to do better by listeners and artists — HiFi is the way (Guest column)

This is a guest post by Nigel Harding, VP Artist Relations at Deezer. He argues that hi-fi audio shouldn’t be a luxury extra – but instead should be a fundamental part of the music experience. The act of creating music is intense, personal and emotional. Artists pour their heart and soul into each song and aim […]

Eight friendly meditations for the industry formerly known as music in 2023 (Guest post)

In advance of NY:LON CONNECT 2023, we asked Matt Urmy, co-founder & CEO of collaboration platform Artist Growth – which is co-sponsor of the event’s Innovation and Startups track – to share with us the exciting opportunities he sees ahead in 2023. Urmy lays out eight clear messages designed to help readers navigate an industry which has been subject to a “pretty hostile takeover”, but […]

A pep talk for the independent artist in 2023 (Guest post)

In advance of NY:LON CONNECT 2023, we asked Amuse – which is co-sponsor of the event’s Artist Manager track – to share with us the exciting opportunities they see ahead in 2023. Aimed at indie artists, this “pep talk” takes stock of the music business landscape as seen from Amuse’s perspective, and offers some advice, perspective, and positive encouragement in the face […]

Fan-focused strategy still the best catalyst for success (Guest post)

In advance of NY:LON CONNECT 2023, we asked Vasja Veber, co-founder of music data analytics platform Viberate – and one of the co-headline sponsors of the event – to share some key insights for readers to take into the new year. Veber looks into the underlying data, and explains how building immersive artist strategies that cultivate fandom […]

Will music streaming finally hit maturity in 2023? (Guest post)

This is a guest post by Phil Bird, head of sales, rights and royalties, (media) at Vistex. He looks ahead to what may happen in with regards to rights and income for rights holders in 2023. Phil wonders when music streaming business maturity could happen, and argues that it’s already arrived for rightsholders – plus, he sees the return of big catalogue purchases, albeit for more moderate sums. It […]

“22 million songs a year, and only 12 notes available” – pursuing a copyright claim in the music industry today (Guest column)

This is a guest post on music copyright law by Oliver Lock, and Owen O’Rorke, who, respectively, work in Reputation Management and Intellectual Property & Commercial, at UK law firm Farrer & Co. They wrote this column in response to Ed Sheeran’s recent plagiarism case court victory, and in it they discuss when – and when not to – […]

Juxtapose With You: How artists and their labels balance art and commerce over the long-term (guest column)

Keith reflects on the artists who have weathered the storm and created a lifelong career of making music – and tries to define what ‘success’ is in that longer-term context. The post Juxtapose With You: How artists and their labels balance art and commerce over the long-term (guest column) appeared first on Music Ally. Source: Music […]

From the margins to the spotlight: an AI-powered deep dive into Afrobeats (guest column)

This is a guest post written by Dr. Ari Katorza, senior researcher and Doron Gabbay, content manager at MyPart, which uses AI music analysis for A&R and other purposes. We asked MyPart – which is also part of the Abbey Road Red incubator (pictured above) – if they’d like to use their technology to explore music in an international context. In […]

An independent artist’s view on NFTs: providing fans with a stake in their future success (guest post)

The Brooklyn-based VÉRITÉ is a very modern artist, with multiple threads running through her career that connect with audiences and generate income. She’s not only an independent singer-songwriter, but is also a podcast host, and is experimenting with selling parts of her master recordings via NFT auctions. We asked VÉRITÉ to write about the value […]

Martin Goldschmidt: ‘Why I have come round to the user-centric model’ (guest column)

User-centric payouts has been bubbling on the fringes of the music industry for years as an issue. The first time I took it seriously was at an industry board meeting last year – no names! – where we got two presentations on the topic. The big question everyone in the room wanted answered, including me, was: would […]

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