Just over a year ago, music streaming service Deezer announced its desire to launch a pilot of a ‘user-centric payment system’ (UCPS) by early 2020.
You can read our primer on the user-centric model here, but in a nutshell, it ensures that the money from your streaming subscription only goes to the music you listen to.
It feels like a fairer way to divide out streaming royalties than the current system, where the royalties from your subscription go into a big pool divided by overall share of streams.
[In another nutshell: if BTS or Taylor Swift or Drake or whoever get 5% of everyone’s streams, they get 5% of your subscription even if you never listen to them.]
Nobody’s quite sure exactly who’ll benefit from a switch to user-centric: there have been a few academic studies, and they were all cautious about drawing big, bold conclusions.
That’s exactly why Deezer wanted to run a pilot, in just one country (France) and only with labels (not publishers or collecting societies), to gauge the impact. The company said it had “the majority of French labels” on board, yet a year later the pilot still hasn’t launched.
Yesterday, for a special episode of our Music Ally TV Show, Deezer’s chief content and strategy officer Alexander Holland joined us for an update, and to talk about why the company is still keen to test UCPS.
The post Deezer still pushing for user-centric payouts: ‘We will continue fighting…’ appeared first on Music Ally.
Source: Music ally
Related Posts
4 novembre 2019SuperData predicts $1.1bn of VR software revenues in 2019Whether you’re still excited about virtual reality’s potential for music, or think it’s a busted flush as a mainstream consumer technology, the latest predictions from research firm […] Posted in News, wider angles, Virtual Reality, VR, SuperData
19 février 2020Study suggests country radio listeners DO want more womenCountry radio stations in the US have been criticised strongly in recent times for their male-dominated playlists. A study published earlier this month by SongData’s Jada Watson showed […] Posted in News, diversity, radio, research, country, country music
27 août 2020Restream raises $50m to power multi-platform livestreamsDo you want to stream to YouTube, Twitch or Facebook? How about these and a couple of dozen more platforms simultaneously? That's what the technology of a startup called Restream does, and […] Posted in News, Startups, Livestreaming, Funding, Restream
17 juillet 2019Warner Classics launches new website with streaming built inWarner Music Group has a revamped website for its Warner Classics & Erato arm, which it hopes will capitalise on the potential of streaming for the classical-music audience. So much […] Posted in News, Marketing, Warner Music, streaming, classical music, Warner Classics
1 juillet 2019Sandbox issue 231: Conversions. Tracking Cause and Effect in fan marketingLead: “Half the money I spend on advertising is wasted; the trouble is I don’t know which half,” is a quote commonly attributed to Philadelphian retailer John Wanamaker in the 1800s and it […] Posted in YouTube, digital marketing, Sandbox, Netflix, AWAL, catalogue, TikTok, fans, Little Simz, Radiohead, A-Ha, Attribution, Charmetric, Conversions, Joy Divisionn, Mabel, reissues, thom york
28 mars 2019Warner Music leads funding round for hardware startup ArtiphonArtiphon is one of the startups exploring the potential to create new musical instruments with a digital twist. It raised $1.3m in a Kickstarter crowdfunding campaign in 2015 to make its […] Posted in News, Startups, hardware, Warner Music, WMG, Artiphon