Consumers expect virtual screens to start replacing TVs, cinemas in under a year+PDF

More than two-thirds of consumers believe that virtual reality (VR) and augmented reality (AR) will become mainstream in media, education, work, social interaction, tourism and retail, according to the latest Ericsson ConsumerLab report. The Merged Reality report revealed that when boundaries between people’s perception of physical and virtual reality start to blur, this could result in a drastic impact on lives and society. It suggests that the way we live, work, and consume information and media will fundamentally change. Key findings of the latest report include that seven out of ten early adopters expect VR/AR to change everyday life fundamentally in the aforementioned six domains. It also revealed that media is already being transformed and consumers expect virtual screens to start replacing televisions and cinemas in less than a year. However, the report stressed that realities will not merge if the user is tethered to a computer or cut off from physical reality. The study also observed that early adopters of VR/AR expect next-generation networks like 5G to play a central role.; just over a third have expectations on 5G to provide VR/AR mobility through a stable, fast and high-bandwidth network. One in three early adopters also expect 5G […]

Lire la suite de l\\\\\\\’article


Télécharger (PDF, Inconnu)

The internet is finally going to change the movie business, and it could cost theaters billions

The internet is finally going to change the movie business, and it could cost theaters billionsAsa Mathat Technology has upended most of the media industry, but one thing that hasn’t changed is the new movie business: If you want to see most films when they’re released, you have to go to a movie theater to watch them. That is finally going to change, says MoffettNathanson analyst Robert Fishman, in part because the movie studios want and need it to change, and in part because Netflix is going to push the industry forward whether it likes it or not. That is probably good news for you, a person who wants to see movies wherever you choose to watch them. That is bad news for the movie theater companies. The studios are pushing for a new “window” which would let you see a new movie at home, for an extra fee, before the standard 90-day waiting period after it opens in theaters. And Netflix doesn’t want you to wait at all. It has started aggressively building up a straight-to-streaming library of movies, which could theoretically compete with ones that are in the theaters. Figuring out what that could mean for the theater operators involves a lot of guesstimating, because it hasn’t happened yet. But Fishman is […]

80 top film-makers sound alarm over EU copyright rules

Lire la suite de l\\\’article

La performance cinéma Française expliquée en 3 chiffres – Stephane Hochberg | Tableau Public

En 2016, le cinéma français affiche une nouvelle fois sa bonne santé. Avec 213 millions de billets vendus, en progression de +3,6% vs 2015, c’est le pays de l’Union Européene avec les plus fortes entrées en salle. Elle observe également la 2ème plus forte fréquentation par habitant (3,3 entrées par an), juste derrière l’Irlande (3,4).

Cinexpert – baromètre du public des salles de cinéma+”pdf”

Lire la suite de l\\\’article

Télécharger (PDF, 139KB)


European Audiovisual ObservatoryTransparency through information

Lire la suite de l\\\’article

Le nouveau dispositif de classification des films de cinéma: 13/03/2017

Depuis plusieurs années, plusieurs litiges relatifs à la classification de films ont été initiés par l’Association Promouvoir qui entend empêcher l’accès des mineurs à un certain nombre de films (notamment Nymphomaniac, Antichrist ou plus récemment La vie d’Adèle et Love).

Elle a ainsi contesté à plusieurs reprises devant les juridictions administrative le visa d’exploitation attribué par le Ministre de la Culture après avis de la commission de classification des œuvres cinématographiques du CNC.

En septembre 2015, après la décision du Conseil d’état confirmant l’interdiction de Love de Gaspar Noé aux moins de 18 ans (CE 30 septembre 2015 n° 392461), la Ministre de la Culture et de la Communication avait chargé Jean-François Mary, président de la Commission de classification des œuvres, de rédiger un rapport sur la question de l’accès des films pouvant heurter le jeune public.

European Audiovisual ObservatoryTransparency through information

Cinéma : la SACD veut des comptes transparents pour les auteurs et les éditeurs

European Audiovisual ObservatoryTransparency through information+”PDF FR”


Télécharger (PDF, 1.43MB)


Aller à la barre d’outils