Meet CISAC’s new president, ABBA’s Björn Ulvaeus: ‘I’ll be outspoken!’

CISAC is the global body representing collecting societies. Its last president was Jean-Michel Jarre, and before him it was Robin Gibb from the Bee Gees. Big shoes to fill for its next president, right? Step forward… Björn Ulvaeus. The co-founder of ABBA will serve a three-year term as president of CISAC, having been elected by […]

#BrokenRecord: ‘It’s about saying we all recognise this is problematic’

The #BrokenRecord campaign started by musician Tom Gray in the UK is gathering steam. Next Sunday (24 May) will see an online Tim’s Twitter Listening Party Festival allied to the campaign, which is calling for changes to the music streaming ecosystem that will benefit artists and songwriters. Last Friday (15 May) Gray was one of […]

What are user-centric music streaming payouts? Start here…

This is an edited version of an article that appeared in Music Ally’s Q1 2020 report. In the light of the current #BrokenRecord campaign around music industry economics – see our piece last week for more on that – we wanted to also share it in front of our paywall. The topic of user-centric music […]

Keep Music Alive campaign aims to ‘fix streaming now’

The UK’s Musicians’ Union and The Ivors Academy have teamed up for a campaign called ‘Keep Music Alive’ which the two organisations say “aims to ‘fix streaming’ and calls for industry stakeholders to come together to agree an equitable, sustainable and transparent model for royalty distribution in the streaming era”. It kicks off this morning […]

Spotify should pay musicians more? Let’s talk more about how

Earlier this week, we covered the IFPI’s latest figures for global recorded music revenues, which grew by 8.2% in 2019. Artist rights group the Future of Music Coalition made an important point when it shared our story on Twitter. It’s true. In 2019 the recorded music industry enjoyed its fifth consecutive year of growth, taking […]

Love ISN’T in the air as DSPs’ US royalty-rates appeal kicks off

David Israelite, president of the National Music Publishers Association in the US, has never been a man to pull his verbal punches when taking digital services to task. “Songwriters: This week, Spotify and Amazon are quite literally taking you to court,” is how his latest guest column for Billboard begins, and it doesn’t get any less […]

The Trichordist publishes per-stream royalties data for 2019

Every year, artist-rights blog The Trichordist publishes an updated ‘streaming price bible’ comparing the per-stream payouts of the major music streaming services. The latest version, for 2019, was published overnight, and as ever is based on “a mid-sized indie label with an approximately 350+ album catalog now generating over 1.5b streams annually”. Among its findings: Spotify’s […]

Spotify Wrapped 2019 sparks new discussion about artist income

As Spotify launched the artist-focused element of its Wrapped 2019 promotion yesterday, the streaming service also offered some new statistics. More than 1.2 million artists were listened to for more than 100 hours on Spotify this year during the period covered by Wrapped (January to the end of October, which isn’t a widely-known fact – Mariah Carey must […]

Amuse to pay artists up to six months of royalties in advance

Amuse is the Swedish music company that’s part distributor – a platform for artists to upload their music to streaming and download services – and part record label, working more closely with talent that’s emerged from its distribution arm. Launched internationally in 2017, the model is similar to that of Kobalt’s AWAL with its combination of […]

Revelator’s Original Works to handle rights and daily payments

Israeli music/tech firm Revelator is launching a new spin-off called Original Works, whose ambitions include processing and paying out streaming royalties to musicians and rightsholders on a daily basis. The post Revelator’s Original Works to handle rights and daily payments appeared first on Music Ally. Source: Music ally

Aller à la barre d’outils