UK High Court offers mixed ruling on TuneIn copyright lawsuit

The UK’s High Court has delivered its ruling on Warner Music and Sony Music’s copyright-infringement case against online-radio firm TuneIn. As is often the way of these things, both sides have claimed victory. A press release from Sony Music was headlined ‘UK High Court rules in favour of music copyright holders in TuneIn Radio decision’, […]

Blockchain streaming service Audius under scrutiny already

Music Ally reported on the launch of decentralised streaming service Audius in September, and wondered whether its “censorship-resistant” features (or as one report put it, ‘anti-takedown) might cause problems if people started uploading copyrighted music. A few weeks on, and other journalists are asking the same question. The Verge goes in strong, describing Audius as “a […]

Euro copyright directive sparks Google change in France… for news

This week, Music Ally got a notification from Google that from late October, text snippets, video previews and thumbnail images from our website will not be shown in search results in France. We haven’t done anything wrong (we promise!) – this is an alert that anyone designated a ‘European press publication’ is getting, and it’s […]

Copyright Assistant – Hospital Records – London

Hospital Records are hiring a full-time Copyright Assistant to assist in the day to day running of both the publishing, legal and finance departments. To apply please send your CV and cover letter to  Jobs@HospitalRecords.com with the subject ‘Copyright Assistant Application’ by 11th September 2019 The post Copyright Assistant – Hospital Records – London appeared first on […]

The mysterious tale of disappearing viral hit ‘Omae Wa Mou’

It’s not entirely accurate to describe deadman死人’s track ‘Omae Wa Mou’ as having disappeared: you can still easily find it on YouTube. But Rolling Stone has published an excellent analysis of the track’s TikTok-fuelled surge to top spot on Spotify’s Viral 50 chart, before being abruptly removed from the streaming service after a copyright-infringement claim. It’s a […]

YouTube manual-claiming copyright tool gets more changes

The news that YouTube is making changes to the way its copyright-claims process works for music used in videos sounds like big news, but the caveat in this case is that the changes apply to ‘manual’ claims. That’s as opposed to automated claims using its Content ID system, which account for the “vast majority” of […]

DSPs and NMPA filings are in over new CRB royalty rates

Breaking news: there isn’t just one appeal against the new songwriter-royalty rates proposed by the Copyright Royalty Board in the US. The one from Spotify, Pandora, Google and Amazon we all know about – it was officially filed yesterday in the US Court of Appeals for the DC Circuit, and if you’re keen you can read […]

Amid TikTok dispute, Bytedance hired ICE’s head of rights & repertoire

TikTok has referred licensing hub ICE and its three founders – PRS for Music, GEMA and STIM – to the UK’s Copyright Tribunal, in a dispute over licensing terms. The social app will have some expert help in its corner, it turns out. “Exciting times ahead in a truly inspiring company! Thank you TikTok / […]

YouTube adds new requirement for manual Content ID claims

YouTube’s Content ID copyright-protection system has long been a target of criticism not from music rightsholders, but from ‘creators’ on the platform. Now YouTube is making a change that it hopes will tackle the issues raised by some of those critics. “We’ve heard from creators that the recent uptick of manual claims, especially for short […]

NMPA-backed consortium wins race to be the US’ new MLC

The keenly (and very publicly) fought race to oversee the US’ new Mechanical Licensing Collective (MLC) has been won by the consortium led by publishing bodies the NMPA, NSAI and SONA. The group prevailed over the rival American Mechanical Licensing Collective, with the pair competing to run the new body set up as part of […]

Publishers slam Peloton over its copyright-infringement defence

Fitness startup Peloton’s decision to respond to music publishers’ copyright-infringement lawsuit with a counter-claim alleging anti-competitive behaviour has – and you may wish to sit down for this bombshell – not gone down well. Peloton had suggested that the publishers had conspired with industry body the NMPA “to fix prices and to engage in a […]

Study asks Harvard lawyers for their attitudes towards piracy

What do “elite upcoming lawyers from around the world” really think about file-sharing and copyright? A new study based on a survey of international LL.M. (Masters of Law) students at Harvard University has been trying to find out. “We expected lawyers to take highly conservative ethical positions on the issue of online copyright infringement,” wrote the […]

Will Article 17 have unintended consequences for musicians?

The new European Copyright Directive, complete with its Article 17 (formerly 13) on liability for user-uploaded-content platforms, is about to be passed into law, and then transposed into the legislation of the EU’s member countries. But will there be some effects on musicians beyond improving the bargaining power of their rightsholders when sitting down to […]

PRS for Music boss puts Fortnite on notice after record collections

British collecting society PRS for Music saw its collections grow by 4.4% to £746m (around $965.4m) in 2018, setting a new record. £603.6m was distributed to members, down 0.2% year-on-year “caused by processing delays at our joint venture partners”. PRS said that its international collections were up by 9.1% to £280.6m, while income from digital […]

MLC debate continues in the US with calls for more information

If you’re keen to follow the debate about which entity should run the soon-to-be-created Mechanical Licensing Collective in the US, fill your boots on the official Copyright Office regulations site: it has published hundreds of submissions from industry bodies and individuals in support of one or other of the two groups (the MLC and AMLC) competing […]

Lawyers outline ‘messy questions’ around AI-created music

If you, like us, are curious about the implications of music generated by artificial-intelligence, then we can thoroughly recommend the latest article by The Verge journalist Dani Deahl. She’s been talking to lawyers about some of the “messy questions” around authorship of AI-generated music, particularly when the AIs have been trained on a body of copyrighted […]

Publishers planning own ‘town hall’ event on CRB rates appeals

Spotify is rumoured (although not, as yet, confirmed) to be holding some ‘town-hall’ events to explain to songwriters why it’s appealing against new royalty rates set by the US Copyright Royalties Board (CRB). Now publishing/songwriting bodies the NMPA and NSAI are planning their own event to tackle the topic from their perspective. It’ll take place […]

Groups still competing to run US Mechanical Licensing Collective

As part of the recently-passed Music Modernization Act (MMA) in the US, a new ‘Mechanical Licensing Collective’ (MLC) will be created to license and administer mechanical rights in that country. Two groups are competing to be awarded the contract, and details of their plans have now been published, as part of the process. Billboard has […]

UN human-rights expert delivers warning about Article 13

There’s some new criticism of the proposed European copyright directive from an unexpected source: the United Nations special rapporteur on freedom of expression. David Kaye holds that post, and he’s published his concerns about the Article 13 section of the legislation, which relates to copyrighted material on user-uploaded-content platforms like YouTube and SoundCloud. “Article 13 of the […]

YouTube simplifies its Community Guidelines strikes system

While the dust continues to settle from the Article 13 battle in Europe – at least temporarily – YouTube has announced a revamp of how its Community Guidelines strikes work. This is the system by which channels get three strikes before facing “more severe consequences” for breaking YouTube’s guidelines. In a blog post announcing the changes, YouTube […]

Report claims indie US creators earned $6.8bn online in 2018

A year ago, Music Ally reported on a study calculating the value of the ‘independent creator economy’ in the US, from an organisation called the Re:Create Coalition. It claimed that musicians, filmmakers, artists and other creators earned nearly $6bn from online platforms including YouTube, Instagram, Twitch, eBay and Etsy in 2016. We also noted that the coalition […]

Pitchfork calls TikTok ‘the great music meme scam’

Pitchfork spares no punches in its profile of social-video app TikTok, drawing an unflattering comparison between the value of its parent company Bytedance, and the level of royalties being paid to musicians for use of their work. That said, a tale does emerge of viral TikTok videos sparking streams of music on YouTube and other platforms […]

Two groups vying to oversee MMA’s blanket mechanical licence

One of the key parts of the Music Modernization Act (MMA) was the plan to create a new collective to license and administer mechanical rights in the US. Yesterday we got more details on the pitch from the National Music Publishers Association (NMPA) and Songwriters of North America (SONA) for their ‘Mechanical Licensing Collective’ (MLC), […]

Music rightsholders call for ‘urgent’ changes to Article 13

The music industry was celebrating on 12 September 2018 when the European Parliament voted (by 438 votes to 226) to pass the Article 13 section of the proposed new European Copyright Directive. The wording of the legislation seemed to back the position taken by the music industry over the liability of platforms like YouTube for […]

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